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23,000 BCE), a small figurine from the Pyrenees in the South of France displaying exaggerated and protuberant female attributes, namely its disproportionate breasts.
Picasso owned two copies of this sculpture, both of which provided a constant source of inspiration for him.
Another such source may have been the ancient Iberian relief illustrating a woman with an offering (ca.
300–100 BCE), which he possibly saw at the Musée du Louvre in Paris, as well as other similar works at the Museo Archaeológico Nacional in Madrid.
This cement version was exhibited in 1937 at the Paris World’s Fair in front of the Spanish Pavilion.
Two bronze copies molded from the original plaster were subsequently cast in 1972–73.
This alleviates the need to tie leaders together to prevent breakage from snow damage.
According to the Ohio State University Horticulture and Crop Sciences Department, there is a tendency toward widening at the base with maturity, causing separate canopies to form and leaving bare areas.
It is there that he created the imposing and emblematic sculpture Woman with Vase (1933) based on the physiognomy of Marie-Thérèse Walter, a beautiful young woman whom he had met in 1927, who would eventually become his mistress and the mother of his first daughter.